When Bruce Springsteen brought a burst of old-school folk energy to the New Orleans Jazz & Heritage Festival, the result was pure magic. The Boss, known for his heartland rock anthems and larger-than-life stage presence, took a joyful detour into traditional American roots music with a barnstorming rendition of “Pay Me My Money Down”—and fans across the globe couldn’t get enough.

With a mischievous grin and an acoustic guitar slung over his shoulder, Springsteen danced around the stage, leading a jubilant crowd singalong. His husky, spirited vocals brought new life to the age-old work song, while a powerhouse backing band—The Sessions Band, freshly reassembled for the occasion—delivered a foot-stomping performance packed with fiddles, accordion, and a brass section that blew the roof off.

Every member of the ensemble had a chance to shine, taking the spotlight for blistering solos as Springsteen hyped the crowd like only he can. It wasn’t just a concert—it was a celebration. One that resonated deeply online.

Though the performance took place back in 2006, it wasn’t until May 4, 2019, that Springsteen shared it with the world via his official YouTube channel. The response was overwhelming. With over 29.5 million views, fans flooded the comments with pure joy. One viewer gushed, “Makes this 92-year-old dance around the room. Let’s have more joy like this!” Another said, “If this doesn’t make you happy and put a smile on your face, nothing will!”

The performance also marked a new chapter for Springsteen’s folk revival project. He introduced a revamped Sessions Band to the world that day—a group he hadn’t performed with since the late ’90s. Their chemistry was instant, and the energy so contagious that it carried across multiple songs from the set, including the stirring opener, “O Mary Don’t You Weep.”

“Pay Me My Money Down” isn’t just a fun tune—it carries historical weight. It originated as a work song sung by Black dockworkers from the Georgia Sea Islands, and its roots trace back through generations of American folk tradition. The Weavers helped bring it to wider attention in the 1950s, but Springsteen’s version, released as the lead single from his 2006 album We Shall Overcome: The Seeger Sessions, helped introduce the song to a whole new audience.

On tour, Springsteen often used the tune as his main set closer—a jubilant, freewheeling moment where the band could cut loose and the crowd could revel in the joy of pure, communal music.